By Betsy Appell ©2009
The night Maya was born to Tama, the clouds sent down sheets of rain, masking Tama’s tears. The sky shook with thunder, drowning her screams. The night Maya was born, her mother died. Tama was a queen, beloved by her tribe. Maya slept with the mother elephants of the tribe. The mother elephants were very sorry for Maya, because she had no mother, and because she had no song.
In this tribe, at its birth each elephant was given a song by its mother. This song was said to be the very soul of the elephant. The tribe would sing an elephant’s song on its birthday, at events honoring that elephant, and at its death. Maya’s mother died before she could give Maya her song. As Maya grew older, the elders remarked on her kind and silent way. She was gentle and loving and, like her mother, honored by her tribe. But as the time drew near for Maya to take her mother’s place as queen, the elders decided that without a song Maya could not be queen. She must, they decided, go out into the world to find her song.
Maya left in the early morning. Although she was just a little elephant, already she seemed to move in shadow. Everyone watched her go, alone down the clean earth path that traveled to places no one had dared go.
Maya came first to a great tree of birds. They were, each of them, full of song. “Please,” Maya said, “I am looking for my song.” But the birds did not respond. Each sang out loudly, as though it were trying very hard to be heard. Maya’s ears began to hurt, and she moved on.
After a day she came to a river. As she drank from it she heard a mosquito hovering near her ear. Mosquitoes whine, she thought. They have a song.
“Please,” Maya said, “I am looking for my song. Can you help me?”
“Hold still,” said the mosquito.
Maya decided that this was not the place to find her song, and moved on.
On the third day, Maya came upon a great lion.
“Please,” she said, “I am very tired. I am looking for my song. Do you know where I can find it?” The lion let out a great roar that echoed beautifully throughout the valley and across the hills. But Maya was not afraid. She was only sad. She had come to find her song, but what she’d found was that everyone else had a song and no help to give her. The lion, seeing that she was not afraid, saw her sadness and was touched by it. He said to her, “you have a song, little elephant. But you must get quiet enough to hear it.”
And so she did. Maya sat still for three days. She did not move. She did no speak. She opened her great ears and her heart and waited. And after three days, she had found her song.
On the seventh day, she returned to her tribe. Everyone gathered around her and she said, “I have found my song. To hear it you must get very quiet.” And they did. No one moved. No one spoke. And in a short time they heard Maya’s song.
The wind rustled through the trees. From far off there was the call of birds. The stream ran hard and steady. And the sweetest of all was what came at intervals, the best representation of Maya - the perfect peace in the pause between sound.
The Questions Are Important
So many of us long to find the answers to our questions. We want to know right now. Yet, the need to take action prematurely can cause us to miss magnificent opportunities for growth and depth in our development. In a book I recently read, Fearless Creating, author Eric Maisel states that any work of art requires a period of anxiousness. In the following excerpt he talks about this process related to art, but the process can be applied to any major creative dilemma in life. He states:
“In order to bind the anxiety that naturally arises when one doesn’t know, an artist may determine to know anyway. The landscape before her is not held as a fantastic problem or a great mystery; instead, she knows what to do. She knows that if she puts down a wash like this and twists her brush like that, decent bushes will appear in the foreground. One sure way of binding anxiety is reflected in this knowing.
“But the artist who is more interested in creating deeply than in ridding herself of anxiety will refuse to know too soon. She will remain with doubts, worries, questions, and the burning desire to realize herself. She will courageously refuse to bind anxiety by knowing too soon, refuse for the sake of her art and for the sake of truth and beauty to reduce her encounter with the landscape to a matter of familiar technique and experience, beneath any surface calm, an internal war. All that not-knowing, all those doubts, all the sense data flooding her from without and within! This is the chaos of working, the necessary chaos that must not be avoided by too much knowing.”
The tendency for many of us to obtain the answer NOW releases the pressure and masks the appearance of an issue because we have “settled” it. This can be a dangerous illusion, and as a good friend wrote to me recently, in his experience “the deepest of questions are often mean and ornery; yet, in the longer run, are spiritually so inviting, potentially golden and ultimately fulfilling….hasty answers prematurely cut off great and noble questions before they naturally come to bloom. A true answer is only identifiable when the question is totally exhausted.”
From Seasons of the Soul print edition 1996
March 25, 2009 in Commentary | Permalink | Comments (0)